2,350 Royalty-Free Audio Tracks for "Analog Reverb"

Fostex 31801980's spring reverb studio effect. Impulse response taken with sine wave sweep and deconvolved using reaper. 44. 1khz 24-bit flac.

I opened my fostex 3180 spring reverb and hit the springs. Useful for that dub track of yours.

Sounds made with the legendary vcs3 synthesizer in the lindblad studio at gothenborg academy of music and drama, 2011. 11. 06. The charactere of the sound is like a bouncing ball.

This comes from a drum synth function on an old mysterious electric organ. It also features the analog reverb enabled. I recorded this straight from the speaker 24bit with a sony pcm-d50.

Moog sub 37 in duo mode with big emt 250 reverb on it.

Using an lfo, mixer, exp vca, envelope generator, cycling envelope generator and spring reverb to create strange sounds. Evaluation of patch/soundone cycle is about 28 sec - cycles. . . Dont knowonly short sounds - goodamplitude variation - goodpitch variation - mediumtimbre variation - mediummusical value - low to mediumentertaining - medium?.

An unsilent patch to celebrate that my spring reverb now is silent - when i want it to be silent. Spring reverbs can be sensitive to electricity. No my spring tank is hidden away!.

A noiseful patch i had on my 6u modular synth. Reverb and pan fx from zoom ms-70cdr.

The three parts are following the sam chaotic lfo.

Typical cmaj - fmaj - gmaj - cmaj chord progression played with the "space rez" patch i self-programmed in ichiro toda's synth1, with some heavy tal-reverb 4 applied over it.

American anthem, first 9 bars. Vintage sound setup. Rare korg synth from 70's playing through ring modulation pedal, tube amp and plate reverb. You can't get more authentic on retro sound then that.

Pulse responses from great british spring reverb processed with equalizers, tube preamps and compressed with analog tape.

Tube spring reverb unit compressed on the tape.

Sounds nice to me. Variable tempo. Made with analog modular synth.

A krell.

Atonal modular synth melody.

5 quantussy cells controlling 2 oscillators, 1 wave folder, 1 filter and 1 drum module (bmc analog drum). Even the pitch of the drum is controlled by one of the quantussy cells. The drum sound to fed to the feedback in on doepfer a-199 spring reverb.

A sequence in a minor. Spring reverb feedback. Filter sweeps controlled by nlc sloth. I'm not using a sequencer. There are other was to obtain a sequence on a modular synth.

It's fun to patch up a kind of analog shift register (3 stages). Doepfer a-160 controls the stages. On a-160 i use /2, /4 and /8. I sample slewed noise. No quantizer.

A lot of texture! yeah! even analog modular synths can create texture. . . Well not much of a surprise but i'm getting somewhere. . . !. Have to note what i have done. 1. Modulating a full wave rectifier at audio rate. Fixed modulating frequency. 2. I mix my the output of my two osc and clockmy clock divider with that and take /2 to mixer. Reverb is space hole on my zoom ms-70cdr.

A double krell with delay.

After some confused techno days i'm back with machine composition. This is a basic patch on my analog modular synth.

Could need some sounds in the middle spectrum and better eq. . . Background soft minimal techno?.

No it didn't. Well cool patch anyway? it's what i like. Small variations on a simple theme. Sloth lfos and a jerk off (both from nlc) are the engine. Yes and a comparator. Using an or/gate-combiner to create a trigger-ish for quadra to react on. Analog delay and spring reverb. Why did i do this patch from the very beginning? when the voltage on x from sloth reaches a specific value a trigger is generated and i sample the value on y and uses to select pitch on an oscillator. The one playing the long tones. Chaos creates my variations. Sh1t, now when i've stopped recording cool thing are happening. Promise. . .

In my bag i have had this little not with a patch on. Today it was time to patch it. I dont know why i once draw it down. If its supposed to be a part of a bigger patch. . . This is the result. Noise.

A patch with a changing sequence made on analog modular synth. Spring reverb and analog delay. The changes are made with an chaos lfo. Its 10 min loop!.

Semi-generative melodic analog sequence drenched in delay and reverb. Key of c pentatonic minor, 96bpm. Patch notes:. Moog matriarch sequenced by intellijel metropolis, filtered by ssf stereo dipole and reverb by noise engineering desmodus versio. Minimally post-processed in ableton with compression, eq, and transient control.

Using a bass drum module to get not that bassdrummy sounds. . . Combining this with different types of feedback. I didn't know how to end the recording, as you will notice. I'm using an analog delay and spring reverb. Maybe the ending in it self is interesting? i find it hard to "tag" this sound :-)how useless is this sound on a scale from 1 to 5? 5 is totally useless. . .

Random tones generated with modular synth. The randomness is generated with a sample and hold and some "old school tricks". The reverb is ladik r-330.

Yes, my wasp-filter is alive again!.

Yep, i'm reading allen stranges "electronic music: system, techniques and controls". Interesting from start. This is a patch made with lessons from chapter 4.

Modular synth patch where two envelopes are involved in a chase. There could have been a rhythm, but i let chaos disturb theharmony. The triangle wave sounds are "distorted" in a wave rectifier. Kind of metallic sound? interesting. The kind of patch only an owner to a modular synth findany interest in. Maybe a little more interesting then theprevious sound. . . This has an ambient feel. Why?answer: different wave forms, changed envelopes and reverb. A lot of reverb. Do you find any use for some part of this sound let me know!the "ground/root pith" is 122hz. . . Almost a b. . . But not really. I tune my oscillators without caring about "real" tones. The quantizer makes the steps between tones.

More sounds made with my analog modular synthincludes spring reverb feedback :-)more ring modulation noise.

This sound/track is made with a modular synth and a zoom ms-70cdrwith spacehole reverb and stereocho chorus effect. The music is a patch controled by some random andlfos. I'm not interfering at all.

A krell patch and short sample and hold tones. Okay even the krell gets pitch cv from a sample and hold. The short sample and hold tones are panned with help of chaos. I use two nlc sloth lfos to control the panning. The speed of the short sample and hold tones are controlled by two mixed lfos from bmc 2lfosh. Reverb from spring reverb and delay from an anlog delay stomp box. Please suggest some tags i should have used. . . !.

A self modulated a-110. A self modulated bermuda through filter with some res. Barton analog drum, spring reverb and analog delay stompbox. Sxxxe (you know what) sound is imperfect wave forms, or. . . ?.

This is to the moon. A track made with analog modular synth.

Korg volca modular recorded on tascam dr 60d mk 2.

Out of my control. . . . Let the synth decide.

Old-school sound made with analog modular synth - the old way. . . The reverb is a spring reverb - what else. . . ?.

12 analog sounding impacts. Made with monark & dub machines in ableton live.

Feedback drone made with doepfer a-199 sprv.

Dark ambient evolving soundscape. Created with:korg minilogue xddiy rat clonediy sea machine clonewalrus audio slo. Doctor dreamchipportland, orapril 2020.

Some snippets of a little doepfer a-199 demo i did a while back. Https://youtu. Be/8dgbfopkh9a. Oscillator modulated with noise s&h. ;reverb dry/wet outputs ringmodulating each other. Created using a doepfer a-100 and recorded using cubase 6. 5.

Selected parts from a longer recording. This is a modular synth controlled by quantussy cells. They are one method for creating generative music. I call it machine composition.

Electronic minute no 30 - 8 tones and tempo change. A patch centered around intellijel quadra + expanderim using the quadra modea sloth lfo is affecting the rise on one envelope generatorjoined eoc triggers sequencera slew, filter and some fm-generated vibratoand i patch up a pan fuctionyou know lfo + two vcas + and inverter. . . I want a vc pan moduleits on my lista little spring reverb as always. Evaluation of patch/soundone cycle is - there are many cycles to consideronly short sounds - no, goodamplitude variation - yep goodpitch variation - controlled by sequencertimbre variation - some, via filtermusical value - maybeentertaining - hmm. . . Interesting.

I called it "buzzysound2". This is an analog sample i made from an arp 2600 i had before i sold it.

A one-shot synthetic bass sample. Key: c.

Techno percussion loop made from samples and processed through a real analog spring reverb. Suitable for electronic music like dark-techno, dub-techno, house, ambient, dub-step.

Sound obtained by using some of the tassman step-sequencer along with the analog synthesis module. Then adding reverberation effect inside of tassman software and directly recording. No sound editing. No mastering. No limiter.